The Woman Who Amuses Herself

 

Transition From A Modern Classroom To Vincenzo in 1911

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THE PLAY IS A ONE MAN SHOW THAT USES THE REAL LIFE, 1911, THEFT OF THE MONA LISA BY VINCENZO PERUGGIA AS A JUMPING OFF POINT TO STUDY THE PAINTING, OBSESSION AND THE POWER OF ART.


THE DIRECTOR AND I QUICKLY SIZED UPON THE  FRENCH SETTING AND MYSTERIOUSNESS OF THE CRIME AS A STARTING POINT FOR THE SOUND DESIGN. THAT LEAD US TO THE ACCORDION AND MEANDERING TEMPO FOR THE TRANSITIONS. AS THE PLAY STARTS TO BEND REALITY BY JUMPING BETWEEN SETTINGS AND TIME PERIODS WE INCORPORATED MORE EFFECTS AND SOUND BEDS TO HELP ESTABLISH THE SCENE AND HEIGHTEN VINCENZO’S MADNESS.


ALL CUES WERE CREATED IN LOGIC AND PLAYED BACK BY SFX.

World War I

Memory Bed

All Of Our Little Stories Transition